14. Phonemes and Allophones
              Note: Make sure that
            you have the Lucida Sans Unicode font installed in
            your computer so that the IPA symbols will display
            correctly.    
'Phonemes' (written between slashes, e.g. /i/) and 'allophones' (written between brackets, e.g.[i]) are two of the most basic and important concepts in phonetics and phonology. You have already been introduced to them in Ladefoged; go through this excellent slide show by Andrew Carnie from the University of Arizona for a review and further material:
http://w3.arizona.edu/~ling/ac/LING201/201.5/sld001.htm
        
          
          We've mentioned in class that the English phoneme /l/ has a number of
          allophones: the clear 'l' [l],
          which is a voiced lateral alveolar approximant, as in leap [lip] ¡V this is the usual
          allophone of /l/
          before the vowel nucleus in a syllable; voiceless 

 as in play
 as in play 




 , the usual allophone of /l/
      after a
          voiceless obstruent; and velarized 'dark l' [ɫ] as in pool [puɫ], the usual allophone
          of /l/ after the
          vowel nucleus of a syllable. Compare these three allophones of
        /l/:
, the usual allophone of /l/
      after a
          voiceless obstruent; and velarized 'dark l' [ɫ] as in pool [puɫ], the usual allophone
          of /l/ after the
          vowel nucleus of a syllable. Compare these three allophones of
        /l/:
Sometimes there is no contact between the tongue tip and alveolar ridge in the American English dark 'l', and the quality of this sound is due mainly to the velarization. Chinese can try to produce a Beijing-accented ¾j e4 (the IPA symbol is [ɤ]) to get an idea of what velarization involves. Notice the tensing of the muscles in the back of your tongue.
¾j e4 ££¿ 
        
              Native speakers of any language
        generally apply the correct allophone in each context without
        even being aware of the different forms they are using. English
        spelling, among other things, leads us to assume that everything
        written with an 'l' is pronounced in the same way ¡V except for
        when the 'l' is silent, as in words like half and salmon, and
        for some people, palm and almond (I personally have a dark 'l'
        in these last two examples, demonstrated in the second reading
        of the two words): 
half 



 salmon
 salmon 





 palm
 palm 



 almond
 almond 





 
 
palm 




 almond
 almond 






 
  
        
              Foreigners learning to speak
        English are often not told about these allophonic differences,
        and this is probably one cause of certain faulty pronunciations.
     Some
        Taiwan speakers of English do not devoice the /l/ in words like play and
        in the process end up adding an epenthetic ('extra') schwa [ə] in such environments:
        they may say [pʰəleÈþ]
        instead of 




 . Listen to the difference:
. Listen to the difference:
Taiwan learners of English typically substitute [o] for the English dark 'l', e.g. [pipo] for 'people', [pÈ÷nso] for 'pencil'.
Note that a postvocalic /l/ does not have to be 'dark' or velarized in every language. German uses a clear 'l' in all positions. Examples: Licht 'light', Dill 'dill':
Licht Dill 
        
              In order to hear just how
        different a clear 'l' is from a dark 'l', listen to the
        following two sound files. The first is a recording of the word
        lull, which has both a clear and a dark /l/. The second file
        is the same word played backwards. You might think that a word
        spelled lull would sound the same backwards as forwards.
        But reversing the positions of the clear and dark 'l' makes the
        word almost unrecognizable. Putting a dark 'l' at the beginning
        of a word or syllable sounds very odd in English! (Of course,
        one reason it sounds so odd is because of the reversed falling ¡V
        i.e. rising ¡V intonation.)
There are other allophones of /l/, depending mainly on the point of articulation of the sound(s) following it. The /l/ in filth, for example, may be a dental [l̪]; or it may also just be a plain dark /l/.
          Next: More on
              phonemes and allophones
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