Listening Exercise:
Monologue by
Ellen DeGeneres
URL: http://ellen.warnerbros.com/galleries/video/index.html?=mono/daily
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     Dear Students: The "daily monologue" available on this site was changed after this assignment was prepared - a risk I was aware of when choosing this material. The following is a new set of vocabulary words and thought questions to go with the new monologue. Either monologue will be acceptable for this assignment. Sorry for the inconvenience!

Vocabulary:
good mood
crazy weekend
out of control
Christmas shopping
record year
what's going on
parking spot
mall
regular day
open spot
by all means, please
to drive away
"because for all I know they may have a Nielsen box" (a box installed in some home televisions to record which television programs are watched on that set; these data are used to decide which TV shows should be continued and which canceled)
desperate
to trail someone
Secret Service
next to the president
jogging
vulture
wounded rabbit
to swoop down on
my windows are rolled up
level
ramp (of a parking ramp)
bus stop
true story
they take their sweet-ass time (vulgar)
to balance their checkbook
"Hot Topic" (name of a shop)
"carry the four" (said when adding figures)
to check all one's mirrors
to adjust everything
"Oh, I'm not leaving."
to get all excited
opening
to take up two spots
just over the white line
a bad parker
purposely
kinda = kind of = somewhat
diagonal
"I'll get out and key 'em"


Thought questions:

1. What aspect of human behavior is Ellen addressing in this monologue?
2. Why does Ellen compare herself to a vulture?
3. Why did Ellen once follow in her car a pedestrian to a bus stop?
4. Describe what has happened when a person in a car says, "Oh, I'm not leaving."
5. What do you think the verb to key means in this context? What would make Ellen 'key' someone's car? Why?
6. Which parts of the monologue do you find funny, if any, and why? Are there parts where the audience laughs, but you don't understand what's funny? In which parts does this happen?
7. Do you think this kind of humor would work if presented in Mandarin or Southern Min to a Taiwan audience? Why or why not? How might it have to be changed to adapt it to Taiwan audiences?

Vocabulary for previous monologue:
wooing
clapping
a sure sign that
I can sense
read a face
to judge how they're feeling
executive producer
rare
if there's not a camera going
to tell apart
disapproving of
to furrow one's brow
confused
posse
'Are you with me here?'
women's studies group
to look beyond
fighter pilot
to hold onto
frown
to realize
'You hang in there, OK?'
a party going on
bouncer
not everyone's allowed
assume
to stick one's tongue out at
Nana, nana, nana


Thought questions for previous monologue:

1. What is Ellen trying to communicate in this monologue?
2. Which parts of the monologue do you find funny, if any, and why? Are there parts where the audience laughs, but you don't understand what's funny? In which parts does this happen?
3. Do you think this kind of humor would work if presented in Mandarin or Southern Min to a Taiwan audience? Why or why not?
4. What is a 'bouncer', and what does Ellen mean with her comment about it?
5. What does 'Nana, nana, nana' mean?


     Oral II Students: Choose three clips from the Ellen DeGeneres page and write short summaries of each, along with your reactions.


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