| Student |
Advisor |
Thesis |
Year of Graduate |
| Yu-jen
Huang |
Kii-ming Lo |
Feelings
and Form in Hanslick's "Vom Musikalisch-Schoenen": The Perspective on Hermeneutics |
1999 |
| Hsin-yuan Liu |
Kii-ming Lo
Wen-yu Chiang |
The
Improvisation of North Taiwan Hakka Song "San go tsi" |
1999 |
| Hui-hu
Huang |
Ying-fen Wang |
Applying
the Music and the Music Applied to Taiwanese Opera of Min-Kuan Troupe |
1999 |
| Hsin-chun
Lu |
Ying-fen Wang |
The
Development of Construction and Symbolic Meanings of Burmese Arched
Harp-saung-gauk |
2000 |
| Yen-ling
Liu |
Yuh-wen Wang |
The
Development of Allen Forte's Set Theory |
2000 |
| Hsiang-ling
Yang |
Ying-fen Wang |
The
Musical Activities of the Local Gentry in Late Ching Dynasty Taiwan: A
Case Study on the Lin and the Cheng Families of Chuchien |
2000 |
| Po-wei
Weng |
Ying-fen Wang |
From
Signification System to Performance Mechanism: A Study of Percussion
Music as Sign in Peking Opera |
2000 |
| Meng-tze
Chu |
Ying-fen Wang |
The Musical Practice and
Aesthetics of Taipei rock bands- a
Case Study of "Chthonic" |
2000 |
| Shih-shan
Chiu |
Ying-fen Wang |
The Role
of Taiwan Symphony Orchestra and Taiwan Culture Association in Taiwan
Music Environment During the Early Post-war Era |
2000 |
| Hui-wen
Chang |
Ying-fen Wang |
A
Taiwanese Female Singer: Lin Hau's Musical Life in Japanese Colonial
Period (1932-1937) |
2001 |
| Chien-i
lin |
Ricardo Canzio
|
Copyright
Protection of Indigenous Traditional Musical Work: The Case of
International Copyright Infringement of a
Performance by
Difang |
2001 |
| Chien-ming Chen |
Yuh-wen Wang |
國語流行歌曲中的編曲工作 |
2001 |
| Ming-lun
Li |
Yuh-wen Wang |
Conductors
and the Idea of "Authenticity" - Beethoven's Ninth Symphony and the
Thoughts and Practices of Conductors Who Specialize in Early Music
|
2002 |
| Hui-ling
Chen |
Yuh-wen Wang |
Relations
between Chou Wen-Chung's Music and I Ching - Variable Modes and Pien |
2002 |
| Kuang-ta Yuen |
Tung Shen
|
清末民初的上海戲曲表演--以「新舞臺」(1908~1927)為例 |
2002 |
| Pei-ling Chung |
Tung Shen |
台北愛樂室內及管弦樂團「亨利•梅哲年代(1985-2002)」之研究 |
2002 |
| Li-wen
Nien |
Yuh-wen Wang |
譚盾的《樂隊劇場III：紅色氣象預告》－由作曲風格探討後現代主義在其中的呈現 |
2003 |
| I-hui
Li |
Ricardo Canzio
|
The Presentations of Classical Music in Taiwan
: A Case Study of Philharmonic Radio Taipei |
2003 |
| Yung-kai
Tsai |
Chung-kun Hung
|
布拉姆斯與布梭尼改編巴哈〈夏康舞曲〉中之炫技性 |
2003 |
| Ying-ping
Hu |
Yuh-wen Wang |
音樂與影像的互動 -- 以《臥虎藏龍》的影音「同韻律節奏」分析 |
2003 |
| Hsin-fang
Chiang |
Ying-fen Wang |
「台
北世紀交響樂團」研究—兼論文化補助政策 |
2003 |
| Hao-hsuan
Chuang |
Yuh-wen Wang |
An
Analysis of Therapeutic Elements in Music: An Example of Anti-Insomnia
Music from Medical Resonance Therapy Music by Peter Hübner |
2003 |
| Yu-Kuan
Chuang |
Ying-fen Wang |
1930
年代台灣藝旦的音樂活動－－以《三六九小報》為主要分析文獻 |
2003 |
| Pei-ju
Liao |
Ying-fen Wang |
The
Reresearch of the Folksong Collective Movement |
2003 |
| Wen-bin Liang |
Tung Shen |
《新
婚別》敘事曲研究 —由作品到社會、時代 |
2003 |
| Chiao-yin
Yu |
Yuh-wen Wang |
節
奏性的影像變化—《花樣年華》中音樂與影像的互動關係 |
2004 |
| Yu-yin Chen |
Tung Shen |
The
Study of Chinese Drum Culture from prehistorical period to Han Dynasty |
2004 |
| Fang-yi
Hung |
Tung Shen |
The
Madness of the Time, the Diva of Shanghai: Zhou Xuan, Popular Songs and
Chinese Modernity, 1930s~1950s |
2004 |
| Mei-fang Hung |
Ying-fen Wang |
The
Study of Zheng You-zhong and His Band ─ From 1920's to 1960's |
2004 |
| Yu-chun Hsu |
Nancy Guy
|
Recitation
Experience and the Use of Sound in the Ritual and Congregation of
Taiwan’s Muslim Communities |
2004 |
| Kai-ling Hsu |
Ying-fen Wang |
日
治時期放送節目音樂內容之研究（1937~1941） ─以軍歌放送為中心 |
2004 |
| Pei-yu Wu |
Yuh-wen Wang |
The
Process of composition in Stravinsky's neoclassical period-----The
linear methods in medium or large pieces |
2004 |
| 史辰蘭 |
沈冬
|
上古梨形琵琶在分類與中國梨形琵琶之探源－以歷史圖像為主的研究 |
2004 |
| Yu-Wen Shih |
Tung Shen
|
Study of Notation in The Wenhuantang Fingering Notation：Transformation of Nanguan Notation Concept Revisited |
2006 |
| Ya-Ting Yang |
Chien-chang Yang
|
Gershwin's Melodic Strategies in Instrumental Music:A Stylistic Study of "Rhapsody in Blue," “Concerto in F for Piano and Orchestra," and "An American in Paris" |
2006 |
| Chien-Yee Yeoh |
Tung Shen
|
The Studies of Malaysian Chinese Art Songs: Analysis of Khaw Guan Liang's Works |
2006 |
| Ching-Lan Chang |
Yuh-wen Wang
|
On music education thoughts of Greek and Ancient China |
2006 |
| Ming-Yen Lee |
Ying-fen Wang
|
Indonesian Traditional Music Practice in Islamic Religious Ceremony:Gamelan Sekati as Celebration for Muhammad's Birthday in Indonesia's Yogyakarta Palace |
2006 |
| Kun-Ter Chang |
Chien-Chang Yang
|
From "Just for the Love" to "Giant Steps"-The Unique Harmonic／Tonal Structures in John Coltrane's Early Compositions |
2008 |
| Tzu-Cheng Lin |
Tung Shen
|
The Soundtracks of Western Music in Modern Taiwan: On Taiwan Concert Life in the Japanese Era |
2008 |
| Yi-Ju Lin |
Tung Shen
|
A string of melodized singing voice︰A study of the music of Taiwan Yi-dan in Japanese Colonial Period |
2008 |
| Chieh-Ting Hsieh |
Chien-Chang Yang
|
Relating Dance and Music with Dynamics: From Rudolf Laban's choros to Kurt Jooss' Tanztheater |
2008 |
