著作目錄 Publications

專書：
Kao, Wei H.  The Formation of an Irish Literary Canon in the Mid-Twentieth Century.  Berlin: ibidem-Verlag, 2007.

Kao, Wei H.  "Inclusions and Exclusions of the Irish Literary Canon in the Mid-Twentieth Century," diss., U of Kent, 2004.

專書章節：
Kao, Wei H. "The Healing of Trauma in Anne Devlin's After Easter: Female Experiences and the Nationalistic Historiography."  Ed. Alison Younger and John Strachan. Essays on Modern Irish Literature.  Sunderland: University of Sunderland Press, 2007.  143-55.
 

期刊論文：

Kao, Wei H. “Awakening, Memory, and Reconciliation in Anne Devlin’s Belfast Trilogy.” Feminist Studies in English Literature 16.2 (2008): 31-62.

高維泓。〈愛爾蘭典律夾縫中的荒謬劇場〉，《劇場事：台灣當代戲劇評論季刊》6 (2008)：108-117.

Kao, Wei H. “Irish Pride and Disgrace in Recent Films: Ken Loach and Paul Greengrass.”  Studies: An Irish Quarterly Review 387.97 (2008): 333-342.

高維泓。  〈貝克特在台灣：當代劇場裡之跨文化演繹〉，《台灣社會研究季刊》69 （2008年3月）：139-179.

高維泓。  〈跨世紀戲劇典律的翻轉與新生：十九與二十世紀末的愛爾蘭民族劇場〉，《當代》238（2007年九月）︰74-87.

Kao, Wei H. "Voices from the Irish Margin: Sean O'Casey's The Shadow of a Gunman and Christina Reid's Joyriders." Fu-Jen Studies 40 (2006): 37-55.

Kao, Wei H. "Samuel Beckett in Taiwan: Cross-cultural Innovations, Challenges, and Controversies." Journal of Beckett Studies 15.2 (2006): 160-189. 

高維泓。 〈在神性與人性間游移︰凱特．歐布萊恩作品裡的異鄉人〉， 《中外文學》34.9 （2006年二月）：139-158.

Kao, Wei H. "Emerging Nation, Debatable Canon(s): Some Facts in Irish Short Story Anthologies Inland and Overseas in the Early Twentieth Century."  Moving Worlds: A Journal of Transcultural Writings 3.1 (2003): 33-44.

研討會論文：

Kao, Wei H. “Protestant Women, Nationality, and the Black in Christina Reid’s Three War Dramas.” The Fourth International IDEA Conference. Manisa, Turkey, April, 2009.

Kao, Wei H.〈互文的藍領劇場：當代臺灣與愛爾蘭劇場中的勞工意識〉。劇場學術研討會，國立台灣大學戲劇系。Oct., 2008。

Kao, Wei H. 〈當代愛爾蘭電影之歷史書寫：以導演洛區、格林葛萊斯為例〉。第十六屆中華民國英美文學學術研討會，國立宜蘭大學外語系。Oct., 2008。

Kao, Wei H. “The Intertextuality of Incestuous Passion in Eugene O’Neill’s Desire under the Elms and Marina Carr’s On Raftery’s Hill,” presented at the 25th IASIL International Conference, Gakushuin University, Oct., 2008.

Kao, Wei H. “Iris Murdoch’s The Servants and the Snow: Power Abuse and Resistance in an Ignored Irish Drama,” present at the IASIL Conference, University of Porto, Portugal, July 2008.

Kao, Wei H.  "Feminist Articulations and the Rebuilding of the Image of Irishwomen in Anne Devlin's Belfast Trilogy," presented at Irish Women Writers: National and European Contexts: International Conference, University of Leuven, Belgium, Oct. 2007.

Kao, Wei H.   "The Working-class Irishness in a Global Context: A Comparative Study of the Labor Representation in the Contemporary Theatres of Ireland and Taiwan," presented at the IASIL Conference, University College Dublin, Ireland, July 2007.

Kao, Wei H.  "Two Theatrical Others: The Voices of the Working Class in the Contemporary Theatres of Ireland and Taiwan," presented at the Asia and the Other Conference, National Taiwan Normal University, June, 2007.

Kao, Wei H.  "Samuel Beckett in Taiwan: Cross-cultural Innovations and Significance," presented at the Fourth Annual Irish Studies Conference, The University of Sunderland, UK, Nov. 2006.

Kao, Wei H.  "Voices from the Irish Margin: Sean O'Casey's The Shadow of Gunman and Christine Reid's Joyriders," presented at the IASIL Conference, University of New South Wales, Australia, July 2006.

Kao, Wei H.  "Irish Women's Power and Trauma in Anne Devlin's After Easter: the Deconstruction of the Nationalistic Historiography," presented at the Third Annual Irish Studies Conference, The University of Sunderland, UK, Nov. 2005.

Kao, Wei H. 《在神性與人性間游移︰凱特．歐布萊恩作品裡的異鄉人》。第二十九屆全國比較文學會議，國立中正大學。April, 2005.

Kao, Wei H.  "An Outsider in Ireland: Mary Lavin and her Short Stories," presented at the Conference on "Outsiders" at University of Stirling, UK, March 2004.

Kao, Wei H.  "Emerging Nation, Debatable Canon(s): Irish Anthologies at the Turn of Twentieth Century," presented at thePostgraduate Conference for Irish and Scottish Studies AHRB Centre for Irish and Scottish Studies, Queen's University, Belfast, April 2004.

Kao, Wei H.  "An Irish Experience in Canon Formation: Literary Textbooks and University Examination Papers," presented at the workshop of "Literary Education and Canon Formation", held by AHRB Centre for Asian and African Literatures, SOAS, London, March 2003.

Kao, Wei H.  "Kate O'Brien and the Irish Canon," presented at the International Conference: Language, Communication, Culture, at University of Evora, Portugal, November 2002.

研究計畫：
國科會：「戲劇典律的顛覆與重構：以二十世紀末之愛爾蘭劇場為例 (I), (II)」（96-2411-H-002-062; 97-2410-H-002-166）(2007/8/01—2009/7/31）

教育部頂尖大學計畫：「本土文學文化與世界對話」（2006--）

台大圖書館「線上文學書房」：
喬依思（James Joyce）之《都柏林人》
斯惠夫特（Jonathan Swift）之《格烈佛遊記》
多媒體服務中心《奇幻之旅》

訪問︰
李靜怡。〈訪問愛爾蘭文學研究者高維泓〉。《破週報》516（2008年六月）。

技術報告及其他：

高維泓。  〈愛爾蘭劇場的全球化經驗〉，《聯合文學》290（2008年十二月）：42-47。

高維泓。 〈邂逅安瑞特：左手搖籃、右手寫作的曼布克獎得主〉，《聯合文學》278（2007年十二月）：46-51。

高維泓。 〈再見！喬伊斯：新時代的愛爾蘭小說〉，《聯合文學》271 (2007年五月): 38-42。

高維泓。  〈《屠夫男孩》書評︰辛辣且辛酸的黑色喜劇〉，《中時開卷版》，2006年十一月四日。

高維泓。  〈女人＋詩人＝女詩人？ -- 書評《給當代女人與詩人的十五門課》（Object Lessons: The Life of the Woman and the Poet in our Time）， 伊芳．波蘭德（Eavan Boland）〉，《自由副刊》，2005年八月四日。

高維泓。  〈以藝術積極尋求對話及和解 愛爾蘭：布萊恩．費爾（Brian Friel, 1929-）〉，《自由副刊》，2005年五月五日。

高維泓。  〈殖民帝國的鏡子：《倫敦書評》（London Review of Books）與《瓦薩斐利》（Wasafiri）〉，《自由副刊》，2005年四月二十八日。

高維泓。 〈以寫作抗衡父權壓迫 愛爾蘭：愛德娜．歐布萊恩（Edna O'Brien, 1930-）〉，《自由副刊》，2005年四月七日。

高維泓。  〈夾縫 創痛 珍珠︰現代愛爾蘭文學流變 〉，《自由副刊》，2005年三月十三日。

高維泓。 〈看不盡「吐口水醜態」〉，《聯合報民意論壇》2002年十一月二十一日。

高維泓。 〈掃黃：期待伊甸園的限縮〉，《聯合報民意論壇》，2001年十一月九日。      

高維泓。  〈彩色蕾絲，多重脈絡︰探討女同性戀社群的多重面像〉 -- "Tinted Lace, Multiple Mapping: A Discussion on the Facets of the Lesbian Community in Taiwan."